One of my writer friends (I won’t drag him into this by saying who) posted a challenge to his artist friends, to draw a homoerotic pin-up of a deity. He received a bunch of great responses (homoerotic Zeus, homoerotic Osirus, etc), but declined to post mine. Which I expected, and respect, because – me being the trouble-maker I am, I’d picked a deity which is totally off-limits for drawing.
Part of the challenge of drawing this particular god comes from the fact that drawing him is so absolutely taboo. Unlike Mohammed, Jesus, and even יהוה, who’ve been depicted countless times, this one has no established likeness. Just a name. So I homoeroticized … just the name.
Please don’t kill me.
Months ago I finagled my way into Anything That Loves, an anthology of comix about life between the poles of “gay” and “straight”. I took one of the more relevant scripts I’d written for my JAQrabbit Tales porn series, changed a few camera angles to de-emphasize the nudity (but not eliminate it entirely), left the sex scene mostly implicit instead of implicit … and got to drawing it.
I was really excited to be participating in this book, and not just because I got to draw a fondly-remembered hook-up (the first of many with the person involved). There were a bunch of great queer cartoonists involved, including names like Leanne Franson, Maurice Vellekoop, and Roberta Gregory (to pick just three). Seeing the PDF previews was a hoot, especially when I saw that I was getting busy just a page-turn before a “Liliane Bi-Dyke” story.
This past weekend, it got real. Not only did I receive the modest-but-generous payment that Northwest Press offered for my contribution (like everyone else involved, I’d submitted it as a donation for the cause), but I also got my two complementary copies of the book.
So there you have it: I’m in print. And I’ve been paid.
Translation: I’m officially a published professional cartoonist.
And if you turn the page, you’ll see my cock, which means I am also a porn star.
(Anything That Loves is listed for retailer orders in the current Previews catalog.)
There’s a discussion going on right now in the WFH Dream Gig thread over the viability of Marvel’s Doctor Strange as a character, with me arguing that he’s a mess of incongruous elements and has been since day one, and @joshhechinger, @JasonFranks and @Owen_Jones disagreeing.
So how about we put our money where our mouths are and say what we would do if we were writing Doctor Strange?
OK, I read up over lunch on this “Doctor Strange” character y’all are talking about. It says here that he suffered nerve damage which affected his manual coordination, and he sought out medical and surgical corrections which failed to fully restore it. Gods on earth, I actually know someone like that! Someone I could use as a touchstone for my version’s characterization.
So basicly he’s me, 15 years from now, after turning to the arcane arts in bitter desperation, growing the mustache he once swore he’d never grow, training tirelessly for years, and finding that with this mystical power comes mystical responsibility. From there it took just a slight alteration to my his appearance….
A remake/remodel challenge that elicited a lot of response back in the day was for The Doctor. Specifically the final one. The instructions were quite simple.
A Time Lord can regenerate twelve times before dying. Thirteen incarnations in all.
Design the thirteenth incarnation of the Doctor.
Brainstorming the words “thirteen” and “doctor”, two images kept coming to mind (once I finally banished DC’s “Dr. Thirteen”). The first is a 13-year-old (riffing on the trend until just now for younger and younger actors in the role). The second is the doctor known as “Thirteen” from House, M.D.. Which of these is the Doctor and which is the Doctor’s companion is an exercise left to the reader.
A “doctor” with a funny foreign name performs a “procedure” on a skinny geek which turns said skinny person into a “super-soldier.” It is decided that no-one must know who this person is, and so they are given to the US Army under the name “Captain America.”
Possibly you weren’t paying full attention when this was being explained to you. Possibly you have a drinking problem. And those headaches have been getting worse. Also, as the person who looks just like you and follows you around all day has commented, your poop has turned grey.
NONETHELESS. You must take what you heard and turn it into a character design.
“Skinny geek” is an operational requirement; the hoverchair cannot carry more than 100lbs. The “procedure” is cybernetic, and the “doctor” with a funny foreign name is roboticist Shota Katayanagi, PhD. After extensive screening through video games, high-scorer Stevie Rodriguez (b. 9-11-2001) is permanently linked to the “Captain America” army combat drone as the ultimate “super-soldier”.
A very long time ago, Warren Ellis used to post creative challenges to remake/remodel characters, on his forum “The Engine”. The site is gone, but I still have most of the pieces I did. This challenge was to take just the core concept of Buck Rogers, a man of the early 20th century, who wakes up in the 25th… and recreate the character.
In the era in which the original story was written, the term “buck” was sometimes used to describe a strong young black male, so I decided that was a nickname for an African-American man, whom I dressed in the tightest retro-futuristic leotard I could justify.
Bruce Wayne realises his relentless crusade against the superstitious and cowardly criminal classes has left him totally bankrupt. Luckily he’s spent 30 years creating outrageously fetishy costumes for his own use, and has hence accidentally become the world’s foremost sartorial designer.
Once upon a time he fell down a hole, saw a bat, blubbed like a baby, then decided to go kick ass while sporting pointy ears. Now he’s going to rebuild his fortune on the catwalks of Milan using the same winged-rat, utility-belted, caped-bondage-goon vibe in his amazing frou-frou couture ensembles.
You will bring the Fashion. You will bring me the mighty centrepiece of the Brüs/W?n Studio Collection, and god help the poor model stuck inside the thing if he/she can’t move well enough to beat up some criminals while sashaying.
You will design for me a Creature who can live Among Us. We want a fiend who preys on the community in as creepy and unconventional a way as possible. Avoid obviousness – this isn’t a guzzler-of-flesh, but a Stealer Of Power. Does it eat laughter? Ideas? Screams? Sexuality? What role in society would it take: this thinner-of-the-human herd?
My late friend Jens Altman did a strip called “Made of Fail“, which featured crudely drawn characters in darkly comedic situations. He challenged his friends to draw the characters from that strip in the style of Rob Liefeld. I chose his character Amy:
I can’t draw like Liefeld, and I mean that as a sincere backhanded complement. He uses techniques (e.g. crosshatching) that I’ve never gotten the hang of, so I’m not going to try to duplicate them. Besides, the assignment here was more about design than rendering, right?
So here is Amy as Mr. Liefeld might have conceived her to appear, with a blend of his drawing ideosyncracies and my own. (Fair enough, I hope?)
I chose Amy because I could immediately picture Liefeld’s approach to her hair. And I have to confess that as I referred to a few actual Liefeld pieces while drawing this, I could see that I was overdoing it; I was caricaturing his characters. To fix this, I had to reduce the size of her breasts. Twice.